The more time I spend trimming my six-hour class on the Beatles down to ninety minutes, the more I wonder why I offered to do so in the first place. Much ado about nothing, you say? Oh, I beg to differ. Using just one incomparable Beatles song as a focal point, indulge me as I lay out a few of the unpleasant dilemmas facing me while constructing my final playlist for the presentation I'm doing about a month from now.
* If I choose not to use And Your Bird Can Sing how to best demonstrate how advanced the Beatles were with respect to guitar harmony?
* If I do use And Your Bird Can Sing as my selection from the British version of Revolver, which of the equally important songs from that breakthrough album do I scuttle? Eleanor Rigby? Taxman? Here There and Everywhere?
* Is a compromise in order with respect to And Your Bird Can Sing? That is, can I instead use that piece of musical magic and say it was from the vastly inferior American toss off LP called Yesterday and Today? If yes, how much time do I devote to making a distinction between the American and British versions of all the albums before Sergeant Pepper's Lonely Hearts Club Band? And then, what other Beatles ephemera do I leave out while rhapsodizing on their endlessly influential oeuvre?
There's more where this came from, honest. If I began describing my turmoil about Abbey Road and what I'll play from that gem in this truncated class vs. what was included in my longer offering, you might begin to worry about my mental health. The White Album? If you still have any pity left for this unadulterated Beatles geek, please don't go there.
